She’s worked as a wildlife
veterinarian, directed the National Zoo, testified before Congress, appeared in
a 13-part television series, and led an effort to care for wild mountain
gorillas in Africa. But Lucy Spelman isn’t satisfied that she has done enough
to get people to care about protecting wildlife.
So the Barrington resident is encouraging artists
and scientists to work together to inspire conservation action by founding the
non-profit organization Creature Conserve. A part-time lecturer at the Rhode
Island School of Design and a full-time exotic animal veterinarian at Ocean
State Veterinary Specialists, she is helping local and international artists
learn from scientists – at workshops and in the field – about the issues facing
wildlife and what can be done to help.
Lucy Spelman speaking at TEDx Providence |
“I was teaching my first course at RISD, called the biology of human/animal interactions, and at the
end of one class I saw a student’s doodle about what I had just talked about,
and realized that she had just distilled my entire lecture into a single
image,” said Spelman, who also chairs the board of the Rhode Island Wildlife Rehabilitators Association. “She actively listened to what I was saying and
picked up on the science that interested her and made it visual.”
That doodle convinced Spelman to change the final requirement of the
course from a paper and a presentation to a paper and a work of art. Students choose an endangered species, study
the relevant science, and learn about conservation options. After three years
of collecting photos of these final art projects, she had several folders full
of art that she wanted to share with the world.
“Then, in the course of preparing a TEDx talk in Providence, I
realized that what I really wanted to do next was encourage more artists to get
involved in conservation, to help them raise their science literacy, so their
art would be more powerful, have more punch, and so it would help more people see
that the solutions for endangered species exist, and that it is up to us to
take responsibility for them and take action,” she said.
So Spelman started Creature Conserve to bring artists and scientists
together to save species. Today, she links artists with scientists, hosts workshops at
which scientists inform artists about wildlife issues, and raises funds to send
artists on field trips with scientists to Africa and South America.
“I know that artists think very similarly to
scientists,” she said. “We both ask why are we here, what’s happening, we make
something – art or science – to interpret the situation, and we share it with
our peers.
“The difference,” she added, “is that scientists communicate in a
technical language and to a fairly narrow audience. Art is a universal
language, and artists reach a much broader audience. I’m interested in
connecting art and science so we share what is happening with animals and what
we can do about it with everybody. And in this way, we’re trying to change the
way we problem-solve around conservation.”
Spelman took a rapid, round-about route to
reaching this point in her career. She earned a bachelor’s degree in biology at
Brown University and a veterinary degree at the
University of California at
Davis. Along the way she studied animal pathology at the San Diego Zoo, cared
for retired animals used in entertainment in Los Angeles, and learned about
animals used in laboratory research at the now-closed New England Primate
Center. By 1995, she was the youngest person to be a board-certified zoological
medicine veterinarian and was hired as an associate veterinarian at the
National Zoo in Washington, D.C. Five years later she was in charge of the
whole zoo.
'Electrical Box Landscapes' by Sophy Tuttle |
“Perhaps the most important thing I learned from my time at the National
Zoo is that it is easier to feel immediately responsible for the creature in
front of you than to an animal in the so-called wild that you may never see,”
she said. “I also learned that nothing is truly wild. Humans have touched all
parts of the Earth.”
After leaving the National Zoo, she found herself
caring for wild mountain gorillas in the Congo, Uganda and Rwanda as the
regional veterinary manager of the Mountain Gorilla Veterinary Project.
“These are wild gorillas, not zoo gorillas, so we only intervened if there was a problem caused by humans,” Spelman said. “It was a triage job. We checked on the gorillas daily. We also supported initiatives to help local farmers and human health clinics. Over the course of three years, we did 16 interventions to remove snares or treat them for respiratory illnesses while I was there, and we documented for the first time that human visitors to the gorillas can transmit viral diseases.”
“These are wild gorillas, not zoo gorillas, so we only intervened if there was a problem caused by humans,” Spelman said. “It was a triage job. We checked on the gorillas daily. We also supported initiatives to help local farmers and human health clinics. Over the course of three years, we did 16 interventions to remove snares or treat them for respiratory illnesses while I was there, and we documented for the first time that human visitors to the gorillas can transmit viral diseases.”
When her stint in Africa was over, she
returned to Rhode Island to teach and, eventually, to launch Creature Conserve.
“The organization is all about planting seeds
among artists and scientists,” she said. “I can’t tell you what animals to
protect. You have to be informed, and if you’re not interested, you’re not
going to act. The art is a way of engagement, and it’s more powerful than
anything.”
This article first appeared on EcoRI.org on March 29, 2020.